The Protagonist Speaks

One of the things that surprised me when I first started writing fiction was how strong and independent the characters can become, even to the point of wanting to speak outside of the story. Let me introduce to you Rebecca Coulter from That’s Just the Way It Is which is FREE on Amazon February 3rd through February 5th!

Becky

It’s me, Becky Coulter. Thanks for stopping by today. I invite you to read the first part my story if you haven’t done so and to say thanks if you have.

It was difficult to find the love I had dreamed of in my Texas cowboy, John, but I did discover incredible love with my children, and well, as you’ll see in the sequel there were a few bright spots in my later life. My children were the most important thing to me; I sure hope I did right by them.

It’s a terrible thing for a mother to bury a child and even harder when the father had a part in the deed. Johnny was the love of my life and my biggest disappointment. I always told the young’uns, “don’t expect too much of anyone else, just yourself. That way you won’t feel let down, but you can always be proud of the person you are.”

I hope you like my pictures. My parents took them before they left Texas with one of those new fancy cameras from Philadelphia so they’d have something to remember me by. Pa had to close his store when the war got underway ‘cause Mama wanted to go back East. In 1862 I was only twenty-three and so full of hopes and dreams. I was happy then, and it was good to feel that way.

Ranch

John never wanted his picture taken so you can only see a glimpse of him. Thinking back, that’s just the way John was. He never let anyone, even me, completely know him. It was like he held on to a part of himself too fragile to share with the world. I don’t think he was a bad man, just carried too many wounds from childhood that scarred his soul a bit. It gave him a dark side and placed a shadow over the way he looked at life. He and I never did see the world in quite the same way; it’s really sad when you think about it.

John

I believe life is what you make it, but the Lord had a spoon in the batter so when it was all over it was the right life for me, just not what I expected. A year after I left John, my youngest, Matty, and I took that long dusty ride back to Texas into the second half of my life. My saddest moments came along then, but also many of the best. I look forward to sharing more of them with you soon in the sequel that’s being written now.

Which Is More Important?

As a writer who is new to the publishing industry, I struggle to determine which is more important when it comes to sales. In fiction, the quality of the writing or the appeal of the storyline? In non-fiction, the caliber of writing or the subject matter? Even in the music world, which sells more CD’s: a beautiful voice or the melody sung by an average singer that begins to repeat in the listeners’ heads?

Of course, in an ideal world, these artistic creations would be an excellent blend of both factors. How often does this really happen, though? I have been noticing lately, some novels selling very well that are not as well-written as they could be. They may be grammatically correct, but have inappropriate voice changes or shallow characterization, etc. It makes me wonder what the average modern reader really cares about.

Perhaps it has something to do with e-books vs. hard cover books. Maybe because the e-book reading may be done more often in noisy places, awkward positions, or poor lighting, not as much attention is paid to the writing quality as when the reader is curled up with a hard-cover book on a winter’s night in front of a roaring fire. Or is it because the “old-fashioned” reader paid more for that hard cover book, so he or she expects more? Could it even be that the societal trend toward instant gratification sells or encourages “quick reads” that don’t allow time for attention to writing detail?

That being said, as a writer, do you sacrifice what you really want to write for something you believe will be more popular? I find it hard, at this point, to write what I don’t feel passionate about. I keep reading that writing from your heart is what touches others and gives them the emotional experience they are seeking. It would be difficult for me to do otherwise.

I don’t believe there are any easy answers to all of this. Regardless, I would love to know your thoughts, as a reader or writer, about what qualities you think sell? What do you personally pay attention to when you read? What leads you to feel that satisfying experience after you’ve read an article or a book?

Where Do Stories Come From?

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I have heard that authors write what they know. I find myself doing that, both with fiction and non-fiction. It’s comfortable and familiar to build on experience as well as professional training. To me it seems, too, that a writer can’t hide for very long the totality of who they are. If they write extensively, and from that deep part inside of themselves some call the soul, many readers will come to know and understand them, even in a way their family or friends may not.

Where do those crazy, creative ideas in our heads come from? Some may say it’s the collective unconscious. Did you ever hear the phrase, “There are no new ideas?” Everything that has ever been experienced or thought about is out there, if only we can just tune into it. For me, that includes reincarnation; I believe that it’s a past lifetime I’m writing about when I’m emotionally involved in the story such as with my short story, “That’s Just the Way It Is.” It seems further confirmation that it’s one of my own lifetimes when I recognize people I presently know wearing unfamiliar clothing in a past time period.

“That’s Just the Way It Is” is free today on Amazon.com through October 25th. It takes place in Texas in the 1870’s. The personal connection to me is discussed in the “Afterword.” Here’s an excerpt from one of the action scenes between Rebecca and John:

“What the devil’s wrong with you? Carryin’ on with a scalawag like that? Good thing I came in when I did. In a couple more minutes he’d of had you bare-assed on the table.”

“For heaven’s sake, John. What’s the matter? Calm down. The children will hear you, and I’m sure Jake already did.”

“I’m not the problem. And don’t you ever go against what I say in front of the cowboys, or anybody for that matter.” John was getting red in the face and his lips were starting to protrude. I thought for a moment he was going to spit on me. I stood up, and he suddenly raised his arm and slapped my face with the back of his hand, followed by a harder slap on my other cheek with the front of his hand.

“I won’t have you carryin’ on with him. I’m firin’ him tomorrow,” he shouted.

“John,” I cried. ”Please come to your senses. There’s absolutely nothing going on between me and Mr. Johnson. Stop being so unreasonable. Don’t you dare fire him. That man has children depending on him.”

Emily and the boys had run into the kitchen by now. They stared in silence, four pairs of eyes wide open with fear. Emily hurried over and put her arms around my waist.

“Get away from her, Em. I’m not through yet,” he said angrily while he took off his belt.

I nodded to Emily and she stepped back. “Take your brothers into the parlor,” I told her.

John grabbed me by the arm. I struggled when he began hitting me with the buckle end, leaving deep gashes in the skin on my neck and arms. I tried to cover my face, and my hands became streaked with blood. After I started screaming, Emily came running and tried to pull his arm back. John accidently knocked her down.

“Stop it! Let me go! I’m pregnant,” I shouted angrily.

So, where do your stories or ideas come from?

A Writer’s Conference in the Mountains

I have been a fan of many Hay House publications for a number of years. Writers such as Louise Hay and Wayne Dyer dot my bookshelves and have often inspired me to move out of my comfort zone and reach for my goals, such as with a writing career. This year, when the opportunity came to attend The Writer’s Workshop in Ashville, NC, sponsored by Hay House, I knew I had to attend.

I drove twelve hours down to Ashville early last month to attend this weekend workshop and spend two additional days driving around the Blue Ridge Parkway. The weather was a little stormy, but I still enjoyed the journey down and the time alone driving through the woods in the Park, catching a breath-taking glimpse of the mountains here and there among the clouds. It was a very inspirational setting for a writer!

One-hundred and seventy new and wannabe writers from various states congregated at the Crowne Plaza Resort for this event. More than anything else, this was an inspirational workshop. I came out of there actually believing I could write an excellent book even if Hay House couldn’t publish it. New York Times best-selling author, Cheryl Richardson spoke of her humble beginnings and her journey to successful publication.  She was, in many ways, just like those of us dreaming to publish a book—simply armed with a story to tell that drove her passion. Reid Tracy, President and CEO of Hay House, spoke at length about the publishing industry, writing a book proposal, and what it takes to get published during these fast-changing times in the industry. I was struck by the realization that they are both everyday-kind-of people who are doing extraordinary things. No pretense, no self-importance, just genuinely real people. Videos of Louise Hay, Doreen Virtue and, Wayne Dyer describing their early writing experiences and tips for success were also quite enjoyable and helpful for new writers.

Hay House generally publishes non-fiction, self-help, inspirational books. To be successful in getting published with this genre, I learned that you need to show a publisher that you already have a following and that you are willing to do (or already doing) workshops, lectures and anything else it takes to sell your book. Gone are the days when the publisher does all the marketing. With fiction, the platform is not as important, but it definitely helps to have one. Series fiction, such as a trilogy, is popular now and can lead to greater success as an author. In these workshops, Hay House offers the unique opportunity to attendees to submit a book proposal directly to them without going through an agent. The lucky winner will receive a $10,000 book advance. The proposal is due in December, 2012. Since Mr. Tracy said they will consider any genre for this competition, I am planning to finish my novel and submit a proposal to them. I figure the worst that can happen is that I will have a novel almost ready to submit to another publisher or to self-publish. To me, that seems to be a win-win situation.